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王兴武老师参加《艺术与科技共创可持续未来国际艺术展》在大阪世博成功举办

2025-09-10 12:08人民网 收藏0 评论0 字数1,746 分享

世界博览会(World Exposition)是一项全球性的展览活动,旨在展示和促进人类在技术、文化、科学、艺术等多方面的进步与创新。每一次的万国博览会,都会是全球瞩目的焦点,2025年大阪世博会于2025年4月13日至10月13日(共184日)在日本大阪市的人工岛梦洲Yumeshima举行。来自世界各地的超过两千八百万游客,在此体验开创性的展览、尖端技术和充满活力的文化展示。此次大阪世博会的主题为“让生命闪耀的未来社会设计”(Designing Future Society for Our Lives),强调在未来社会中追求人的幸福和环境的可持续发展,聚焦人类面临的多项全球性挑战,如健康、环保和技术创新等,其中,我们的主题为“艺术与科技共创可持续未来”(Art and Tech co-create a Sustainable Future)。

 

The World Expo is a global exhibition event aimed at displaying and promoting human progress and innovation in technology, culture, science, art and other aspects. Every World Expo in the World will be the focus of global attention. The 2025 Osaka World Expo was held in Yumeshima, an artificial island in Osaka, Japan from April 13 to October 13, 2025 (a total of 184). More than 28 million visitors from all over the world experience groundbreaking exhibitions, cutting-edge technology and a vibrant cultural display here. The theme of this Osaka World Expo is "Designing Future Society for Our Lives", emphasizing the pursuit of human happiness and sustainable development in the future society, focusing on many global challenges facing mankind, such as health, environmental protection and technological innovation. Among them, our theme is "Art and Tech co-create a Sustainable Future".

 

 

2025年8月25日,C2W品牌出海于世博会官方馆Team expo馆在"ATSF"支持下,创立的“艺术与品牌共创可持续未来”(Art and Brand co-create a Sustainable Future)项目的展程正式拉开帷幕,本次展程为期三天。为传承世博精神、讲好中国文化故事、传播艺术之声,在联合国教科文组织国际视听理事会(CICT-ICFT)、联合国教科文组织PCI创新创意平台及2005年《保护和促进文化表现形式多样性公约》的支持下,并在C2W品牌与高净值出海公司的组织带领下,团队历时180天,横跨中法日三国,来自中国54家品牌企业、163为艺术家作品和163位青少年艺术家,他们分别来自不同的艺术门类有:国画、油画、漆画、书法、雕塑、紫砂、古琴、丝绸等,大家欢聚一堂,共同参与和见证了此次世界博览会。

 

On August 25, 2025, the C2W brand went overseas at the Team expo Pavilion, the official museum of the World Expo. With the support of "ATSF", the exhibition schedule of the "Art and Brand co-create a Sustainable Future" project was officially kicked off, with the exhibition schedule lasting three days. In order to inherit the spirit of the World Expo, tell Chinese cultural stories well, and spread the voice of art, under the support of the UNESCO International Audiovisual Council (CICT-ICFT), the UNESCO PCI Innovation and Creativity Platform and the 2005 Convention on the Protection and Promotion of Diversity of Cultural Expressions, and under the leadership of the C2W brand and the high net worth overseas company, the team lasted 180 days, spanning China, France and Japan. It comes from 54 brand companies in China, 163 artists and 93 young artists. They come from different art categories: Chinese painting, oil painting, lacquer painting, calligraphy, sculpture, purple clay, guqin, silk, etc. Everyone gathered together to participate and witness the World Expo.

 

 

此外,活动现场国际电影、电视和视听传播理事会(CICT-ICFT)的代表首次公开介绍ATSF计划,将其定位为应对全球挑战的平台,聚焦艺术、技术与可持续发展的融合。活动还围绕叙事的未来与沉浸式文化体验、人工智能(AI)伦理、艺术与科技塑造可持续社会的愿景等话题展开讨论。中国艺术家的蒙古马头琴演奏、意大利艺术家的人体艺术表演等丰富了活动内容。

In addition, representatives of the International Council on Film, Television and Audiovisual Communications (CICT-ICFT) at the event publicly introduced the ATSF program for the first time, positioning it as a platform to meet global challenges, focusing on the integration of art, technology and sustainable development. The event also discusses topics such as the future of narrative and immersive cultural experience, artificial intelligence (AI) ethics, and the vision of art and technology to shape a sustainable society. The performance of the Mongolian horse-head fiddle by Chinese artists and the performance of the human art of Italian artists have enriched the content of the event.

 

 

 

在四川省广元市苍溪县龙山镇团结村,易学爱好者王兴武用半生时光完成了一场跨越数千年的文化对话。他用几十年的业余时间潜心研究,发现了“六十四卦逻辑示意图”,在探寻华夏文明根源的漫漫征途中,耗费数十年心血钻研易学,为解码伏羲文化现代智慧开启了崭新篇章。

这一发现不仅揭示了卦象间隐藏的数学规律,更让我们得以重新审视华夏文明最深邃的智慧源泉。现代易学爱好者王兴武与上古圣贤的思想产生共振,这绝非偶然巧合,而是中华文化强大生命力的生动体现。在易学研究领域,伏羲文化一直占据着重要地位。伏羲作为人文始祖,被尊为中华民族的人文先始,三皇之一。他根据天地万物的变化,发明创造了八卦,成为中国古文字的发端,也结束了“结绳记事”的历史。八卦后来演变成了六十四卦,而王兴武发现的“六十四卦逻辑示意图”,对于深入研究伏羲文化、解读易学智慧具有重要意义。王兴武的研究始于最基础的易学原理——"太极生两仪,两仪生四象,四象生八卦"。但

他并未止步于此,而是进一步发现了从八卦到六十四卦,再到三百八十四爻的系统生成规律。这种层层递进、环环相扣的推演过程,展现了中国古代符号系统惊人的逻辑自洽性。尤其值得注意的是,这些规律并非研究者主观强加,而是卦象符号自身"客观"存在的内在联系。正如数学定理不因发现者而异,六十四卦的排列组合规律也超越了个人意志,成为华夏先民留给后世的永恒智慧密码。